Film is so beautiful and nostalgic.
I picked up a small love for film about four year ago. I’d been sitting in Econ lecture, scrolling through artists and photographers when I stumbled upon a photographer.
A year after gathering a small appreciation (obsession) for film, I took a black and white film class.We took pictures in black and white and processed them in the darkroom, shot with borrowed Canon cameras.
I photographed strangers, artwork, puppies, toys, store fronts….so on and so forth. It was then that I realized: there is so much whimsicalness in the world. So much strangeness and beauty! The panda head human: a stranger. The toy train: more strangers. I began to shift my perception, seeing my surroundings in blacks and whites, hues and gradients, shadows and bright spots.
In the dark room, we removed the film from the tube in a room devoid of light. With washes and chemicals and timers, we processed the small rolls of copper-colored film until they were ready to hang and dry.
Then we brought the dried film into the darkroom, where we each had our own space to magnify the film images, invert them, and light-print onto a piece of light-sensitive paper. Afterwards, we doused the paper film in another long process of chemicals and washes before the sheet was finally ready to dry.
Processing film by hand was tedious, but fun.
I found an old film camera (a Canon snappy LX) about a year ago while cleaning out the house, and ordered some Superia film in. I’ve been slowly, slowly photographing with it. I have….six rolls of film to shoot.
When I look at other’s images taken on Canon Snappy’s online, they look like the photographs my parents used to take decades ago, when film was all they had.
I’m a fountain of love in the shape of a girl / You’re a bird on the brim, hypnotized by the whirl
Completed graphite portrait of Bjork, first sketch in my new portraits notebook. Every time I think of Bjork, I hear her melodious tittering voice and Bachelorette in my head.
A short film I made with footage taken in California, Philadelphia, Texas and New York.
The city is tired, the city is alive. The city is moving; the city lies still. Stop motion. Slow motion. When the light turns green I cross anyway, counting down the milliseconds, swiveling my sight in circles.
The city, from far away, sparkles and sprinkles and glitters and glows. Juxtapositions sit at every street corner. The homeless slump by the chatty elite, carry cardboard by fine wine. Angry lights glare. Still lampposts hang. I play the streets by ear, following the crowd, hoping to god that I’m moving southeast.
The city overwhelms. Screams, honks, turns right on red. Showers rain like a garden hose, a childhood treat on summery days. Spinning and laughing in a one-piece, now cold and shuddering.
The city houses nail salon after nail salon. Our nail salon is next to the gas station. Open doors. First breeze of summer wafts in. A woman with acrylic stuck in her nail drifts in, “you can remove this?” You don’t want new nails? A new coat? “Nah, just get rid of this.” Five minutes later she leaves muttering under her breath because she doesn’t want to soak them-she wants to rip them off.
The city is gritty, the city is loud, the city is terrifying, the city is striking, the city is cold. I skip down the steps to the train, slot in my coins, smile at the receiver who seems unusually patient and friendly. I pace my way back and forth as I wait stonily for the trolley.
The city is a million breaths at once, all breathing, breathing, breathing. And I’m afraid–once in love, but now just afraid.
I love the way disposable film turns out: soft, fuzzy, warm, bright.
Like describing vintage in hues–
Like if nostalgic were a look, it’d be this.
Time-lapse digital painting of a girl I’ve named Violet posing against a violet background. Like the song Violet by Daniel Caesar: you’re my violet in the sun.