The road not taken, Robert Frost.
5.1.18| Daily Art
5.2.18| Daily Art
“It is the time you have wasted for your rose that makes your rose so important.”
― Antoine de Saint-Exupéry, The Little Prince
5.3.18| Daily Art
Doodling designs for you, coolpeppermint: blog, creative outlet, little corner of the Internet.
5.4.18| Daily Art
Playing with colors, art therapy.
5.5.18 & 5.6.18| Daily Art
Something In The Water
Marble art can be a messy ordeal. Stains, stains, stains. On the windowpane, glass, wood tables. The difficulty of controlling where and how the ink flows. The result, however, is usually worth it–beautiful, organic swirls! 🙂
Here’s a set of marble art pieces I made last week for my Daily Art posts.
5.7.18 | Daily Art
5.8.18 & 5.9.18| Daily Art
5.10.18| Daily Art
5.11.18| Daily Art
5.12.18| Daily Art
5.13.18| Daily Art
Lately I’ve been missing China, with all its scenery and street views and smoggy skies. I went to Shanghai two years ago and visited a massive temple garden. It’d been raining that day, and a headache had thundered on the whole day, but the sights were beautiful.
Also…I’m back to the daily daily art entries and an eventual mass grouping of pieces (as I did with my January, February, March and April entries) The past week, I slipped a bit–mostly due to graduation and whatnot. In the hopes of staying afloat for my project, I’ve decided to revert back to daily posts.
5.21.18 & 5.22.18| Daily Art
Dandelions! So whimsical. I never understood why dandelions were categorized as weeds; I’d always found them as beautiful as, if not more so than, flowers.
5.23.18 | Daily Art
Through space they’ll carry your letters, your musings strapped to their backs and their wings.
Musings: I shredded a stack of photos from 2010, one of the happiest years of my life–I hadn’t known it then. I flipped the images over so I wouldn’t see the images I was shredding. I already had duplicates, I reasoned, and these were just repeat photos of the ones I was keeping. Better to not see them, though, because while I try very hard not to be sentimental, I still am.
Looking ahead gives my heart a little start.
Things I’ve been deeply nostalgic about lately:
– The time we went to Six Flags. We rode every roller coaster thrice. I’d never gone on the rickety wooden ride because it’d always seemed dangerous and then it was but after one ride we got on again–thrice. And we did this for all the other roller coasters as well.
Then there were the calming loop-de-loops, where the city watched us topple over backwards, and the dark mountain ride hurled us from one side to another. “Jesus, take me down!” said the bearded ginger man on camera as we reached the peak of the ride. Hands in the air–reflected glint of a beard–and down we went.
– Our road trip. The exhilaration of sneaking into a riverfront restaurant crammed with the color of sunset. The way the city sloped down ahead of us as we climbed up up up the mountain, legs sore.Canoeing through the river. Dips through winding roads and sloping hills, through village towns and murmuring cemeteries.
– Exploring the city on a whim. Slow walks into pie shops and cafe-bars and grilled cheese restaurants. Walks by the MH bridge littered with flowers and families. Please skate on the flower beds, read a sign.
5.24.18 | Daily Art
In high school geography I painted a Manchester blackened by fumes. In the midst of the industrial revolution, evolution had wielded itself supreme, culling out all the pale butterflies. Only the peppered moths, which blended in with the soot, survived.
5.25.18 | Daily Art
Galaxies: as perplexing as they are mesmerizing. In physics, I loved astronomy most–a study of the skies, of constellations, of singing! imploding warping! screaming hovering! spinning planets.
5.26.18 | Daily Art
5.27.18 | Daily Art
A dress made of constellations!
5.29.18| Daily Art
5.30.18| Daily Art
5.31.18 & 6.1.18| Daily Art
Oh, but I didn’t mean it that literally.
Here are the first few (read: 50) scenes from a digital stop motion I’ve been working on. I’m taking my first design class this year–first ever! right, I know, it’s about that time. Each of the classes are 3 hours long, twice a week, so that totals up to 6 hours a week. Which, admittedly, I was apprehensive about. Turns out my apprehension was all for naught, because after every class, I’m wishing I had more time to work on our pieces.
Sitting around working on our art also warmly harkens back to the good ol’ days of mandatory art class. I’d sit with some friends and paint nonsensical artworks I’d never turn in. Honestly, I hated school, but if there was one chunk of time I enjoyed every other day, it was art class.
And stop motions, albeit tedious, are fun to make. Although some people illustrated their animations, I opted for stop-motion. There’s always been something about stop-motion that’s reeled me in…as a 10 year old, I’d make flip books of dancing stick figures, stop-motion style.
2.28.18 | Daily Art
The year’s winding down to an end. 2018 peeks from behind the heavy mahogany curtain: is it her turn to shine yet?
For others, it seems like every year was a salad’s mix of highlights and shit-shows. But for me, 2017 might have been one of the best. Instead of slaving away to social expectations, I did my own thing, carved out time for myself, landed a paid writing internship, visited six cities–including a beachy vacation with family, roadtrip with le beau—started seeing le beau, hit the one year blog mark, did well in my last batch of classes (all A’s so far, yay) etc. Life hath been good; I art grateful.
My favorite New Year’s WP posts that I’ve stumbled upon so far have been imbued in wisdom: what I learned this past year, what I grew to appreciate. Yet the year went by so quickly that I haven’t had the time to contemplate lessons learned or gratitude boxes checked. If anything, it seemed to be a fairly calm year, one in which the 2017 flower grew as expected, bloomed with surprising quickness, fluttered with patches of vibrancy. That, as opposed to running headlong into concrete blocks, dealing with abnormally dreary weather, or facing a lack of floral nutrients. In other words, the year somehow sidestepped the usual tricky roadblocks. For that, I am appreciative– 2014 and 2015 were growth-spurt years, awkward and painful and hasty, whereas 2016 was pinkishly aimless.
2017 was a good year, a mellow year. As of now, 2018’s just rounded about vague goals, semi-forming and morphing–I’m not really one for resolutions. I’ll soon flesh said goals out, jot them down on paper, work towards them. The only “creative” goal I have so far is to make more art, several pieces a week. I’m considering starting up my daily drawing project again (which didn’t get terribly far in the start of the year). I’m looking for some way to consistently commit myself to fine arts, even though I’m not required to. Otherwise, in looking ahead, I’ve been told that this pocket of Youth will be a time of exploration, loneliness, uncertainty, excitement. Ah. We’ll see what it has in store.
In looking back at the year, I’d be remiss not to note how grateful I am for you, reader. Thank you for taking the time to click, like, read or comment on any posts, for being a part of 2017. If you’re reading this (as Drake scribbled on his album cover), thank you, and happy New Years. 🙂
Spent last Nov/December holed up into digital art, the one thing I derived a sense of stability from. With protests going on outside my room–constantly, it seemed–and wishy-washy people fluttering around and tests looming ahead, art was an escape.
So I drew. A lot. Mostly on the computer using Wacom tablets–the library had them. They had the Cintiq, a massive screen you can draw on, and smaller Wacom bamboo tablets. I’d spend hours a day drawing on Photoshop, learning from artists on Youtube, hunting out inspiration on DeviantArt.
Blink. These are screenshots from an animation I worked on in February. I didn’t realize, until attempting animation, how much of it I took for granted–how tedious the process really was, how every 1/20 or 1/80 of a second had to be drawn by-hand. And only then could you piece together the slightest movement. (Though there are animation programs now, which speeds up the process)
Ruby. I used this piece to practice digital shading. Creating depth/values on Photoshop is a quicker process than it is with oils and acrylics. With paint, you have to mix and dilute until you have the right shade and consistency; on Photoshop, it offers the entire color spectrum with all its variations. I was initially was frustrated with this piece until I threw in highlights–on the nose, lips and cheek–which added a lot more depth to the piece, and subsequent realism.
When it comes to shading, I’ll usually start out with a base color, add in shadows, then tentative highlights. I’ll go on to darken the shadows, do a bit of blending, and then add a final layer of the brightest (sometimes completely white) highlights. These are the little white dabs on her upper lip and nose bridge.
This was my first digital sketch, done hurriedly over a one hour lunch break.
A few days later, I decided to expand on the eye, to practice faces and portraits (my favorite! as you can probably tell), so I sketched her, who I never named–my first digital portrait.