escapril

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we left the cold blank walls
white and bland
stripped of photos
of colors & memories
that’d be left, soon enough
i was littered with anxiety, apprehension
—excitement, above all
of not knowing the change that was
to come

since then, it’s been more of a yearning for
continuation
as i drive through the well manicured
trees that carve in like
they do in the movies
pristine and intentional
i find myself feeling like the summer before then
before that start
before we began

today i wake up to a third letter
i begin to map out schedules, requirements
and costs
this time
i yearn for stillness, not movement
practicality, not dreams
mute pastels, not lights
familiarity, not novelty
i curl into what is safe

reaching to any and all good
that came before
things are different
yet not so much
five years have passed
but it feels like nothing has
this is my new fresh start
a sturdy continuation of everything that
has come before


we used to dance in the rain
because we wanted to be like stargirl
stargirl with the long blue dress
stargirl with the whiskery pet rat
stargirl, who meditated on fields
and danced in the rain
and who lived so vivaciously
we wanted to do the same

we used to dance in the rain
because it made us feel free
as people ducked into corridors
we sprinted onto fields
we filled our oxfords with mud
laughed with our chins to the sky
we would immortalize youth forever
cold shirts plastered to our backs


remember when
you had your soul with you
honey
(resting on a) crow’s perch

(i thought)
when am i gonna lose you
(for we had) grown nothing
sin no halo (so you cried)

(go and) save me from your kindness
fill me up with (your) anthem
throwaway
my man

break free
little white
dove
one day it’s gonna break


did you know that psychopaths
do not feel much anxiety?
that they remain unnervingly calm
heart beats low and steady
the truth is
she says
I do not remember the last time I was genuinely anxious
her hands lay flat
maybe I used to be
but not much anymore
not much anymore
in what situations did you ever feel anxious?
a small nudge
I don’t know. dumb things, little things like
indecision, emotional pools
hands clasped


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there’s an outdoor smell clinging
to my hair after we sit outside on the patio
to our left are thickets of dried up bushes
to our right are seesawing heehawing burger devourers
we talk numbers, business, philosophy
finance and people
i decide i’m more interested in the personnel part

there’s an outdoor smell clinging
to my hair as i sit on a small foldable
army green chair, virgin suicides
propped open in my lap
to my right are big rubber tires
to my left is pungent smelling vinegar
filling the giant vat that used
to be my bath tub

today i sit indoors
lightly observing rain drops clinging to the window
cliched trees sway in the wind and murky
green water ripples thru the canal
this is the most intentional deja vu
the greenest of green spaces
i left and i returned–
this is the closest i get to nature


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on the last night
i very much
wanted to leave

by the stacks of
kleenex tissues
glass and dust
donatable
non-donatable
hopefully-were-donated
goods
i was very much ready to go

please come
i am making ravioli and soup
i’ll bring you tissues–just please come

so we piled into the car and talked about pharmacy
arrived at her home to
orangey butter lights
crawled the staircase to the lace
and gold living room
trailed
to the leather couch i’d watched end of the fucking world on
to the desk i’d painted “best friends at”

to the bed where we’d
watched bachelor and gossiped
and cried

over the tomato thick soup
i lament illness
(full circle) and movement and
so many little things i can’t remember–
we set the table
forks spoons plates
food atmosphere celebration and
all

embracing this time
for us all to be
together

like extended family
we bond
like fourth cousins
we cackle
we watch in amusement as family members begin
to pair off
raising their voices in enthusiasm
waving wildly

we curl up on the couch
observing quietly
and my heart feels so warm


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morning dusk
falling dawn
blinding white

covers


a love poem

the less love there is
the more i write about it
the more love there is
the less i write about it

when i’m swimming in love requited
the last thing i want to write about is love requited


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what color is this
the woman asks
i stare at it hard
beige and grey, i decide

when the woman pats the foundation
gently on my face
she observes and so do i
it’s tinted orangey

do you think this goes well with that?
the woman says
i pause and say yes to the cream–
i thought they were the same outfit


hard edges soft smiles
skin cleaner than artificiality
musters
floral beckons pink
gasps
femininity’s clasp
and loosening fingers


must you gab on so constantly interpret my quiet for surliness you’re doing that thing where you go silent yes my life 99% of the time who’s got time to talk so much well I do I love it and my lips are pursed and my head is saying must you gab on so constantly


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dirt and grime and a cloud of dust / I promised I wouldn’t leave again


we were made of stardust
of a billion cosmos
skin of the sky
(and as we looked towards the night
I so very much wanted to believe it)

us–can you imagine?–made from the destruction of celestial bodies
only to return, full circle, to the dirt beneath weeds
i told myself that one day I’d buy you a telescope
just so we could see our mirrored selves

lighting up
a swarm of melting bodies


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there’s a quick lilt that falls on her lips
sky kissed bronze falling in wisps
she leans in forward and nonsensically quips
“red velvet red velvet draped her hips”


 

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cinnamon flecked bodies of
spice dipped milk
churning spoon and metal
glass clinks
aromatic whispers from my arms throat
and up
a full-bodied warmth
dances into my chest


 

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were dreams the actualization of
latent unsaid
content?
(as freud posited)
or were dreams of something more
meaningful–
say, synchronization?
(as jung offered)

as i lie in bed
wrapped in distorted memories
cocoon of broken lights
i piece together the nothingess of logic
knowing that my subconsciousness
has weaved itself
indelibly
incoherently
infuriatingly

back into myself

day 16 of escapril 

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With Eyes Like Butterflies

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December  10th, 2013 // 12:50:00 pm

On the car ride home I detected, from the smoky poof of our deep conversation, wispy strands of respect in your eyes.

I really like people who have kind eyes. People with kind eyes are compassionate, and compassionate people have kind eyes. And kind people are beautiful and nice to talk to, and you can see it in their eyes. -trails off into a tune due to wordy redundancy-

But people can have normal eyes. People can have snarky eyes. People can have flat eyes that hover between life and lifelessness. And people can have sly eyes or suspicious eyes or cold, hard and dull eyes.

As my art teacher once cried: “Eyes are the window to the soul. Serendipity!”

I thought it was spelled “Sarahn Dipity” and wheeled around. “Who’s that?”

Sometimes I’ll miss people for their eyes. Whenever I have little moments of peering into people’s eyes, I’ll take a small creepy note of the types of eyes they have: far set, close-set, deep-creased, light-creased, blue or black or green or tan. Search for clues of their soul window decor. Like curtains of kindness or meanness or tiredness, or sadness.

Those with kind eyes are the ones who emanate the wisps of respect. Those with unkind eyes are the ones who pretend nothing ever happened.


Perused through my old Tumblr and found this old post from 2013. I remembered the exact moment I marinated in these thoughts. Again with the winding roads and a heart full of resentment.

But less than three years later, puedo decir con confianza: all hail the force of forgiveness. They will sweep through your heart’s city and burn down houses of bitterness. For the better, ‘course, and I’m glad they did.

Lotus Flower

I did not choose to grow here.

I see myself as a displaced flower, uprooted before she was planted, a seed placed miles and miles away. I am, let’s say, a lotus flower. From a country far away. One day, I sprouted. Maybe under the sunny bright skies of California. Somewhere Western. And all I knew were the soil and skies and trees of a Western world.

And there were Western songs. And Western values. And Western foods that made people balloon and swell and topple over from heart disease. There were color coded hierarchies. And color embracing schools. There were plastered banners of ideals, never obtained, of bars that will never be reached. And there was money. Lots of money. Unevenly divided, but money, still. Oh, and shit-talking. Lots and lots of shit-talking. Because shit-talking was her prized possession baby.

She was theoretically free. She was chained by things that half of her would screech about.

This is Western air I breath. And Western words I write. My mind scrambles to translate to my mother tongue. I feel irritated when quizzed, scrutinized, over my minute vocabulary. I comprehend the way I read–vertically, in chunks, taking in the entire scene.

I did not choose to grow here. But I do so, begrudgingly, albeit mostly contentedly, because with physical comfort comes mental comfort. There is food to eat. And water to drink. And clean carpeted homes. And space, and clear blue skies.

But it is a hollow step-mother, a cutout adopted family, and this is Cinderella, couched in her stepmother’s magnificent home. It is lacking in significant ways. In this tiled gated home, ripe with waste and excess, I have no desire to engorge myself in deep fried meats. I have no desire to shoot a rifle. I have no desire to make silly clownish political statements, or yell, or scream. Where is everybody else? Where is the real food? Where is the real music? The real dancing? The culture, the culture?

And when I return to this home, a home I had never been, I feel the deepest, most explicable sense of home. How do you return home when you’ve never been? This, I realize, is biological. It’s deeper than simply sprouting where you are planted. It goes back seasons, centuries, for an environment to be just right for that particular plant–but I was uprooted, like so many others.

And I never assume that I am like them. Plants in the new environment, I mean. I can feign it–I speak it, and I most likely seem it, but it’s a facade. You can take an alligator out of a swamp, raise it in the desert, but it will always have been from a swamp, no matter what you tell it. You can brainwash it. You can tell her to participate in rituals of the patriotic. You can make her place her hand on this part of her chest, memorize poems about fabric, worship strangers of the dead. But it is all surface level, environmental. External. As internal as socialization can be.

No matter what anyone tells me, no matters what is shushed or socially right, nobody can convince me otherwise. She is a queen, a sleeping dragon. And I am convinced of it. I hope she breaths and flies and wakes soon. I have been planted alongside the fat rich happy little Western boar, who snores and powerfully kicks up mud when angered. There is not much that I can do. Because I did not choose to grow here.

A Letter “On Kindness”

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Do you remember the time you were at Chipotle and you saw the lady with four children in tow and after ordering the food, four bowls total, she realized she didn’t have any money? And so you paid it for her?

And that was your kindness.

Obviously kindness, clearly kindness, without-a-doubt-kindness. As I read the poem by Aracelis Girmay titled “On Kindness”, I wondered about subtle forms of it, like when it isn’t just a hug or a peck or buying someone’s burrito bowls, but is, instead, your telling a wailing women you love her because she is yelling I want to kill myself I want to kill myself.

That love—that’s kindness too.

There are other forms of it that Aracelis Girmay writes about in her poem. The mail lady who says “hi baby” to you, and to the girl beside you, and to her cousin, and to her cousin’s best friend. The window that filters in light on a heady Sunday morning, reminding you have made it another day you’re alive you’re alive. The dog that comes panting up to you, looking overjoyed to see you, you, you—and that is kindness, too.

June Bugs in the Winter

skysunseti.

Saturday morning. I woke up at 5 and we arrived by 6, the wind so cold it bit into us like knives. I wore my frayed red scarf as we boarded the bus, skies were purpley blue. I watched the sunrise through the sketch of back roads, blues and oranges and rocky gravel.

ii.
Countless love triangles zig-zagged their way unrequited among the best friends. Among him, you, her, me. Your best friend. My best friend. My best friend’s friend’s then-best-friend, then his best friend, or your best friend. I was to you as he was to me; she was to him as I was to you as he was to me. Now he’s little to them and we are nothing to each other.

iii.

Cycling through obsessions like a broken washing machine. I am: drawn to the same aesthetic like a film-drunk moth. Film, film, film and light gossamer. And beautiful people in beautiful places.

Disjointed

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In between ceramic tiles, I empathize with Murakami’s characters (disjointed, numb). I’m reminded of how disconnected I’d once felt, as if this was myself but somehow it wasn’t. I tossed and turned, ran through storms, writhed in bed. Wondered: and so how did she, this other self, feel? Because I felt nothing.

Between shallow breaths I remind myself to scale down. So I scale down. In a giant desert, I am box-like. I am a face of a salt crystal on a pink salt mountain. And collectively we are all salt grains tumbling through something vast and strange and inexplicable.

July 2016

Art Hub

I don’t feel much in the summer, not as much as I do in the winter. There’s something about the onslaught of cold—the onslaught of nostalgia, the wave of emotion, of icy blustery wintry reflection.

It’s barely Halloween and I’m ready for Christmas. We’ll have lights, I’ve decided. Rainbow lights. A tree, spindly and green. A tree, plastic evergreen, our first in years.

Cold and rain joined forces today. Yesterday was another story. It was hot and muggy and I greeted an old friend SC with a head glazed in sweat. MT had invited me to an arts festival that reminded me of small alternative spaces in Austin, New York, Philadelphia.

It brimmed with people, people with colored hair dyed bright angry neon. People with nose rings, with tattoos, with large dark eyes under heavy-rimmed glasses. Artwork lined the tables. You are so talented, I tell an artist after skimming through her comic book. Doodles. Paintings. Prints. Bags. Comics. Film. I feel guilty looking at their art and not buying it.

It made think of Philly’s first Fridays, where all galleries opened their doors and artists lined the summery streets, their work on display. And New York, but more likely every day of the week. I didn’t realize how much I missed it, basked in it, until I was surrounded by it again.